<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Collections on Stan Grams Photography</title><link>https://stangrams.com/collections/</link><description>Recent content in Collections on Stan Grams Photography</description><generator>Hugo</generator><language>en-US</language><atom:link href="https://stangrams.com/collections/index.xml" rel="self" type="application/rss+xml"/><item><title>Arctic Nights</title><link>https://stangrams.com/collections/arctic-nights/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://stangrams.com/collections/arctic-nights/</guid><description>&lt;p&gt;Across three nights, the aurora shifts from a distant arc above mountain villages to something almost architectural over cabins and calm water. Roads, shoreline lights, and wooden buildings keep the scale human. Rather than isolating the sky, these photographs show the northern lights as part of an inhabited Arctic landscape.&lt;/p&gt;</description></item><item><title>Atlantic Islands</title><link>https://stangrams.com/collections/atlantic-islands/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://stangrams.com/collections/atlantic-islands/</guid><description>&lt;p&gt;Three Atlantic islands, each built by volcanic force and reshaped by ocean weather. Madeira moves between wet laurel forest and exposed headlands; La Palma rises through salt pans and cloud to observatory ridges; Tenerife places Teide above pine forest and a working fishing shore. The sequence follows their shared materials—black rock, steep roads, trade-wind cloud, and an ocean that is rarely out of view.&lt;/p&gt;</description></item><item><title>Baltic Light</title><link>https://stangrams.com/collections/baltic-light/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://stangrams.com/collections/baltic-light/</guid><description>&lt;p&gt;The Baltic is a familiar horizon that never settles into a single mood. Low sun turns open water silver, winter compresses the shore into spare colour, and harbour lights take over when the last orange fades. Moving from Łeba through Hel, Jantar, Sobieszewo, and Gdańsk, this collection treats weather and industry as part of the same coastal landscape.&lt;/p&gt;</description></item><item><title>Cities After Dark</title><link>https://stangrams.com/collections/cities-after-dark/</link><pubDate>Mon, 01 Jan 0001 00:00:00 +0000</pubDate><guid>https://stangrams.com/collections/cities-after-dark/</guid><description>&lt;p&gt;Night reduces a city to chosen light: a bridge, a kiosk, a row of windows, a church tower, the edge of a working harbour. Venice supplies reflections and narrow passages; Gdańsk answers with infrastructure, weather, and the dark route out toward the coast. Together they form a study of how artificial light reorganizes familiar space.&lt;/p&gt;</description></item></channel></rss>